From The Directors

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Dianne Berkun Menaker
Founder & Artistic Director

Megan Lemley
Executive Director

Spring Sings - May 16, 7:30pm

PREPARATORY II
Julianna Grabowski, Kiena Williams, conductors
David Lancelle, piano

PRE-TEEN I
Katie Willey, Kiena Williams, conductors
Elizabeth Leddy
, piano

TEEN
Seth Velez, Kristen Von Bargen, conductors
Elizabeth Leddy, piano

JUNIOR ENSEMBLE
Dianne Berkun Menaker, Liz Geisewite, conductors
Aleeza Meir, piano

Riley Palmer, Percussion
Oliver Barrett, Trombone

Program Order

Teen

Seasons
Ola Gjeilo
libretto, Charles Anthony Silvestri

La Paloma
Traditional Venezuelan
arr. Cristian Grases

untitled reflections
Kenyon Duncan

JAM!
Tracy Wong

J'entends Le Moulin
French Canadian Folk Song
arr. Emily Crocker

Preparatory II

¡Ay, mi palomita!
Traditional Lullaby from the Dominican Republic and other Latin American Countries
arr. Juan Tony Guzmán

Great Gettin' Up Mornin'
Traditional African American Spiritual
Additional Lyrics, Rollo Dilworth
arr. Rollo Dilworth

Afternoon on a Hill
Cynthia Gray
libretto, Edna St. Vincent Millay

Here Comes the Sun
George Harrison
arr. Matt and Adam Podd

Weird Stuff
Angélica Negrón
libretto, River L. Ramirez

Pre-Teen I

I Dream A World
Andre Thomas

Canto de Pilon
Traditional Venezuelan
arr. Cristian Grases

The Ash Grove My Home
Welsh Folk Song
arr. Becki Slagle Mayo

everything that holds us
Kenyon Duncan

Come Travel With Me
Scott Farthing

Junior Ensemble

Metsa Telegramm
Uno Naissoo
libretto, Ira Lember

Festejo
Based on Afro-Peruvian Songs
arr. Diana Sáez

In My Dreams
Angélica Negrón

On My Journey Now!
Traditional Spiritual
arr. Brandon Waddles

All Choruses

La Fiesta de la Olla
Diana Sáez

Spring Sings - May 17, 2:00pm

PREPARATORY I
Sydney Anderson, Liz Geisewite, Kiena Williams, conductors
David Lancelle
, piano

PRE-TEEN II
Julianna Grabowski, Kristen Von Bargen, conductors
David Lancelle, piano 

BASS ENSEMBLE
Scott Semanski, conductor
Rachel DeVore Fogarty, piano

CONCERT ENSEMBLE
Dianne Berkun Menaker, conductor
Aleeza Meir, piano

Program Order

Pre-Teen II

A Choral Flourish
Linda Spevacek

Close Your Eyes
Angélica Negrón
libretto, River L. Ramirez

Marcha, Pezinho!
Brazilian Folk Song
arr. Daniel Afonso Jr.

Blazing Sky
Liam Bates

Sesere eeye
Traditional song from the Torres Strait Islands

Preparatory I

Sambalele
Brazilian folksong
arr. Diana Sáez

Good Night
Russian song
arr. Doreen Rao

The Frim Fram Sauce
Joe Ricardel & Redd Evans
arr. Greg Gilpin

Mister Rogers Medley: It's You I Like & Then Your Heart is Full of Love
Fred Rogers
arr. David Lancelle

Bass Ensemble

Canto' E Libertad
Diana Sáez & Suzette Ortiz

All Ye Who Music Love
Balthazar Donato
libretto, Thomas Oliphant
arr. Sherri Porterfield

Nine Hundred Miles
American Folk Song
arr. Philip E. Silvey

Johnny Schmoker
Pennsylvania Dutch Folk Song
arr. James Rodde

Lovely Day
Bill Withers & Skip Scarborough
arr. Robert T. Gibson

Concert Ensemble

Song 1

Song 2

Song 3

Song 4

Song 5

Song 6

All Choruses

La Fiesta de la Olla
Diana Sáez

Spring Sings - May 17, 7:30pm

JUNIOR ENSEMBLE
Dianne Berkun Menaker, Liz Geisewite, conductors
Aleeza Meir, piano

BASS ENSEMBLE
Scott Semanski, conductor
Rachel DeVore Fogarty, piano

CONCERT ENSEMBLE
Dianne Berkun Menaker, conductor
Aleeza Meir, piano

Riley Palmer, Percussion
Oliver Barrett, Trombone

Program Order

Junior Ensemble

Metsa Telegramm
Uno Naissoo
libretto, Ira Lember

Festejo
Based on Afro-Peruvian Songs
arr. Diana Sáez

In My Dreams
Angélica Negrón

On My Journey Now!
Traditional Spiritual
arr. Brandon Waddles

Bass Ensemble

Canto' E Libertad
Diana Sáez & Suzette Ortiz

All Ye Who Music Love
Balthazar Donato
libretto, Thomas Oliphant
arr. Sherri Porterfield

Nine Hundred Miles
American Folk Song
arr. Philip E. Silvey

Johnny Schmoker
Pennsylvania Dutch Folk Song
arr. James Rodde

Lovely Day
Bill Withers & Skip Scarborough
arr. Robert T. Gibson

Concert Ensemble

Song 1

Song 2

Song 3

Song 4

Song 5

Song 6

All Ensembles

Combined Song 1

Combined Song 2

Combined Song 3

Graduation Song

Song 1

Composers in Residence

Kenyon Duncan is a Brooklyn-based composer-performer, teaching artist, and producer from Northern California. Grounded in the sonic traditions of the Black diaspora, Kenyon’s creative practice engages questions of embodiment and placemaking.

Recent commissions include works for iSing Silicon Valley, Touch of Blue: New American Vocal Ensemble, the Princeton Playhouse Choir & Orchestra, and the Chamber Music Society of Central Virginia. Kenyon has been awarded residencies from the Avaloch Farm Music Institute (2023) and Gabriela Lena Frank Creative Academy of Music (2022-2023), and his sound installation Music for Strangers (2019) was featured at the Yale Center for Collaborative Arts and Media. Kenyon’s experience as a conductor and ensemble leader has led to the production of 3 award-winning albums, bringing him around the world to lead workshops on vocal performance and ensemble technique. A sought after collaborator, Kenyon’s contributions as a vocalist, pianist, and arranger are featured on multiple studio albums, and he is currently developing a solo recording project. Kenyon holds a B.A. in Computing & The Arts from Yale University, where he studied composition, computer music, and conducting.

Notes from Kenyon

Angélica Negrón is a Puerto Rican-born composer and multi-instrumentalist. She writes music for voices, orchestras, ensembles and film as well as robots, toys, and plants. Angélica is known for playing with the unexpected intersection of classical and electronic music, unusual instruments, and found sounds. Upcoming premieres include a cello concerto performed by Yo-Yo Ma and the Los Angeles Philharmonic, conducted by Gustavo Dudamel and a requiem for Dallas Symphony Orchestra. Recent commissions include works for Opera Philadelphia (a drag opera film in collaboration with Mathew Placek and Sasha Velour), New York Philharmonic, Seattle Symphony, Danish National Symphony Orchestra, the NY Botanical Garden, Kronos Quartet, Roomful of Teeth, and her Carnegie Hall debut, commissioned and performed by Sō Percussion. As a guest curator for Los Angeles Philharmonic’s Green Umbrella series (2025), under the creative direction of John Adams, Angélica brings together collaborators Lido Pimienta, Darian Donovan Thomas and Raquel Acevedo Klein; and continues to develop a multi-disciplinary work as a Lincoln Center Collider Fellow. As the recipient of the 2022 Hermitage Greenfield Prize, Angélica composed a new work synchronized to the setting sun for EnsembleNewSRQ. Angélica’s original scores include the HBO docuseries Menudo: Forever Young and You Were My First Boyfriend directed by Cecilia Aldarondo. She regularly performs a solo show and is a founding member of the tropical electronic band Balún. As an educator, Angélica has been a teaching artist with NY Philharmonic’s Very Young Composers program and with Lincoln Center Education. Angélica lives in Brooklyn, where she’s always looking for ways to incorporate her love of drag, comedy, and the natural world into her work.

Notes from Angélica
”Weird Stuff” (Prep II)

This piece is a lively musical journey that celebrates the beauty and mystery of nature, the joy of interacting with animals, and the enchantment of music. It includes field recordings of a mysterious creature (possibly a bird or frog) captured in my hometown in Puerto Rico, and invites the choristers to interact with this natural soundscape at certain moments. The lyrics are based on ideas and words shared by the choristers, which comedian and writer River L. Ramirez transformed into a poem that I then set to music.

Text and Translations

Prep II

¡Ay, mi palomita!
¡Ay, mi palomita!,
la que yo adore;
le crecieron alas
y voló y se fue.

Ella no comía
ni trigo ni arroz,
y se mantenía
solo con mi amor.

Oh, my little dove!
Oh! My little dove,
the one I adored;
when she grew her wings
she flew away.

She ate neither
wheat nor rice
and was nourished
only with my love.

Pre-Teen I

Canto de Pilón
Pila que pila, María, pila el maíz
Hoy, hoy, hoy, hoy pilé todo el maíz
hoy, hoy, hoy, hoy, que mamá mandó a pilae
pilé yo, piló María, y también piló Pilar

Mortar Song
Grind and grind, María, grind the corn
Today, today, today, today I ground all the corn
today, today, today, today, that mother ordered to grind
I ground, María ground, and also Pilar ground

The translation of 'Canto de Pilón' is not translating word-for-word as ""Mortar Song"" but the program notes describe it this way.

Pre-Teen II

Marcha, Pezinho!
Marcha, soldado, cabeça de papel!
Se não marchar direito, vai preso pro quartel!
O quartel pegou fogo, a polícia deu sinal!
Acode, acode, acode a bandeira nacional!

Ai, bota aqui, ai, bota ali o teu pezinho,
O teu pezinho bem juntinho com o meu!
E depois não vá dizer que você se arrependeu.


March, soldier, paper head!.
If you don't march properly, you'll be jailed in the barracks!
The barracks caught fire, the police gave the signal!
Come retrieve the national flag!

Oh, place your little foot here or there,
Your little foot very close to mine!
And, later, don't go saying that you regretted it.

Sesere Eeye is from the Moa Island, and is about the wind, and the effects of the wing blowing on the mountains.

Teen

Metsa Telegramm
Tok, tok, tok! The woodpecker knocks its telegram.
Tok, tok, tok! Don’t break the trees’ branches!
Tok, tok, tok! Above the forest, amid the silence
Tok, tok, tok! The woodpeckers’ message echoes everywhere.
Preserve the beauty of forest life!
May every tree here be your friend!
And let’s protect the forest’s beautiful garment.
Then the forest will always murmur for us.
Protest the birds’ nests, too, so their joyful calls continue to echo.

Festejo
They say someone’s coming
No one knows who
Everyone runs, caramba,
I run too.
Let’s go dance to the rhythm of the drum
To the son of this celebration
I dance my song.
I am the lamplighter
From the corner of the sun
I go up the ladder, caramba
And I turn off the lantern.

Junior Ensemble

La Paloma
Where did the fove that the sparrow hawk caught go?
Where is the dove that the sparrow hawk caught?
At Ramona's gate, Oh! Look, I found it plucked.
All in life is false, death is the only truth.
For there is where pomp and vanity run out.
Why wouldn't I cry when my mother dies?
I wish I could bring her back to life.
I'm leaving, Maria, I leave the dove there for you.
Open its beak and make it eat, I'm leaving the food there.
I'm leaving, I say goodbye even though the gaita is very good.
Beat this drum hard so my sorrow cheers up.

J'entends Le Moulin
I hear the windmill.
My father had a fine house built.

Bass Ensemble

Canto' E Libertad
Come, sing with me, sing this Yubá.
Come, sing with me in rhythm of Yubá.
Come, sing with me for freedom!

Today I invite you to reflect,
While I sing this Yubá.
If you want to change the world
Bring into your life freedom!
For Liberty!

Give space for everyone
So that we can fight for freedom.

Sound the drums, for freedom!
Keep singing this song, for freedom
Let the children sing, for freedom
Stop the violence, for freedom
Come sing with me...

All Choruses

La Fiesta de la Olla
Mr. Cilantro feels like dancing,
So he asks the tomato if it wants to join him.
Add the pepper along with the onion;
Everyone in the pot starts dancing.
The soup is boiling,
Add a little seasoning.
Everyone together in the pot
Formed a huge party!
Toc, toc, toc…
We are leaving now,
This party has ended!

Meet the Graduates

Áine Alexander-Mullen
Concert Ensemble

Boji Azmanova
Concert Ensemble

Years at BYC: 7

Favorite BYC Experience:
Studio Ghibli, Djo, Blonde Redhead and many of our regular rehearsals as those are the times I feel the most comfortable and enjoy every laugh, mistake, lesson learned and everything in between.

Advice for future choristers:
If music is something you want to take serious, enjoy every moment you get in every rehearsal and performance but most importantly stay professional and take what you do seriously as you are considered to be a professional. Not many kids get experiences like these so never take these things for granted and always put in the effort.

Leah Brown
Concert Ensemble

Years at BYC: 12

Favorite BYC Experience:
It's very hard for me to choose!!
- My first two years at Brooklyn Youth Chorus with my older sister, and having Ms. Jean as our conductor. I can still remember the song Ms. Jean wrote about an owl finding himself as an nocturnal animal :)
- Having Ms. Angela as my Chorus Manager for a couple of years!! (I love her)
- Having fun with Mr. Eric in level 4 at P.S. 15 in Red Hook
- Any time I'd see my face on a BYC banner or social media post ;)
- Rapping for the first time ever at Holiday Harmonies in 2023!!!!!
- Becoming one of Dianne's elite singers ;)
- All of Dianne's extremely funny jokes

Advice for future choristers:
- Be prepared for the repertoire by home studying and always engaging in rehearsals. It's definitely possible that someone will think that it's okay to depend on someone else, and that might be you.
- Make sure to cultivate a supportive and uplifting environment where everyone feels included and loved.

Josie Devlin
Concert Ensemble

Years at BYC: 10

Favorite BYC Experience:
-LOTR, for better or worse
- Lift ev'ry Voice BAM show
-Break time in the hallway
-Carnegie hall with Dudamel and Lafourcade

Advice for future choristers:
Don't ignore school/ not prioritize it when chorus gets busy.

Pia Dorosin
Concert Ensemble

Years at BYC: 7

Favorite BYC Experience:
The most memorable experience that I have had from BYC is singing at Madison Square Garden. That was such an amazing opportunity that I am forever grateful to have gotten the chance to participate in, and I will remember it for the rest of my life.

Advice for future choristers:
I advise choristers to live in the moment. These are incredible experiences that are so rare, and you will remember these moments forever. Try to enjoy them as they come!!

Kalina Francois
Junior Ensemble

Maxine “Max” Goods
Junior Ensemble

Sheen Heady
Junior Ensemble

Stella Kear
Concert Ensemble

Amaranthe Lirenman
Concert Ensemble

Years at BYC: 7

Favorite BYC Experience:
Some of my most memorable experiences from Brooklyn Youth Chorus have been working on projects with artists I had already admired, like Joe Hisaishi and Blonde Redhead. Collaborating with them made me feel like I was truly part of the professional art world—it was both surreal and validating. Beyond the music, the friendships I’ve made have also been incredibly meaningful. Spending time with people who share the same passion has created bonds that I know will last a lifetime.

Advice for future choristers:
Although the time commitment may seem daunting at first, trust that you’ll be fine—it’s all worth it. Every rehearsal, every performance, no matter how small it may seem in the moment, contributes to something bigger and more meaningful. Embrace the process, even when it’s challenging, and try not to doubt your own abilities. You’re part of an incredible community, and you’re more capable than you think.

Violet Paris-Hillmer
Concert Ensemble

Years in BYC: 6

Favorite BYC Experience:
Doing Aging Magician
Recording “Liquid Days”
Creating She is Called over the Pandemic

Advice for future choristers:
Get really good as sight reading and don’t worry about auditioning for solos nobody is judging

Raymond Penalo
Bass Ensemble

Livia Simmons-St.Lewis
Concert Ensemble

Nefertiti Stanton
Concert Ensemble

Vaikuntha Tamayo
Concert Ensemble

Years in BYC: 10

Favorite BYC Experience:
I tried goldfish (the cracker, not the animal) for the first time in BYC. I performed in venues that most people dream of watching concerts in, like Radio City, MSG, and Carnegie Hall. I met some of my closest friends in BYC!

Advice for future choristers:
Don’t feel guilty to miss a day of chorus when you’re feeling like you can’t give your best self. Don’t compare yourself to others because they may seem more confident, more popular, more eloquent; we all have important things to say (that’s why we collectively make up BYC) and what we have to say is not less important just because others have an easier time expressing themselves.

About the Artists

DIANNE BERKUN MENAKER is the Founder & Artistic Director of Brooklyn Youth Chorus. Under her visionary leadership for 31 seasons, the Chorus has become one of the most highly regarded ensembles in the country and has stretched the artistic boundaries for the youth chorus. Hailed by The New York Times as "a remarkable choral conductor," Ms. Berkun Menaker has prepared choruses for performances with acclaimed conductors including Alan Gilbert, James Levine, Marin Alsop, Esa-Pekka Salonen, Gustavo Dudamel, Reinbert de Leeuw, Valery Gergiev, and Lorin Maazel. In May, Dianne conducted Brooklyn Youth Chorus in the world premiere of Port(al), a new choral/theater production she conceived and co-created. She has also collaborated with an impressive range of organizations and artists including the New York Philharmonic, Kronos Quartet, International Contemporary Ensemble, Joe Hisaishi, The National, David Byrne, Wye Oak, Bon Iver, Shara Nova, London Symphony Orchestra, Los Angeles Philharmonic, Kronos Quartet, Barbra Streisand, Arcade Fire, Sir Elton John, and Grizzly Bear. In 2002, she prepared the Chorus for its debut with the New York Philharmonic in John Adams's On the Transmigration of Souls, the recording for which the Chorus won a Grammy Award in 2005. Ms. Berkun Menaker has also prepared the Chorus for recordings with The National, Bon Iver, Fatoumata Diawara, Tyondai Braxton, Paola Prestini, Philip Glass, Wye Oak, Cecile McLauren Salvant, and Grizzly Bear. She has developed an active commissioning program, born out of a desire to showcase the Chorus's versatility and uniquely beautiful sound and has collaborated with some of the most important composers of our time, resulting in more than 120 original works and world premieres by contemporary composers, including collaborations with Pulitzer Prize-winner Caroline Shaw, Tania Leon, David Lang, Nico Muhly, Angelica Negron, Bryce Dessner, Paola Prestini, Nathalie Joachin, Paul Moravec, Toshi Reagon, Alev Lenz, Anna Clyne, Aleksandra Vrebalov, John King, and William Brittelle. Ms. Berkun Menaker also has a strong reputation as an arts producer, having developed numerous original choral/theater productions for the stage, with the most recent production, Silent Voices: Lovestate, premiering Off-Broadway at The New Victory Theater in 2019. Previous productions include the first two installments of the inclusive, social justice-oriented Silent Voices series (BAM 2017; National Sawdust 2018); Black Mountain Songs (BAM Next Wave Festival 2014); and Tell the Way (St. Ann’s Warehouse 2011). The Chorus has released two albums through New Amsterdam Records—Silent Voices (2018) and Black Mountain Songs (2017)—and has appeared at important contemporary music festivals including the Ecstatic Music Festival, MusicNOW, 21c Liederabend, Barbican Mountain and Waves Festival, and the PROTOTYPE Festival. This year, Ms. Berkun Menaker served as Associate Music Director for Euphoria by Julian Rosefeldt, commissioned by Park Avenue Armory and starring Cate Blanchet. Ms. Berkun Menaker is a regular choral clinician and teaching artist for such organizations as the New York Philharmonic and The Weill Music Institute at Carnegie Hall and has also presented workshops and master classes for New York University, New York State School Music Association, the American Choral Directors Association, and the New York City Department of Education. In 2023, she was recognized by the American Academy of Teachers of Singing with their 2023 AATS Award for outstanding achievements in the field. She is the creator of Cross-Choral Training®, a proven holistic and experiential approach to developing singers in a group setting encompassing functional voice training pedagogy for healthy, authentic singing across a range of musical styles and music literacy and sight-singing approaches based on experiential and sequential learning.

Jaquetta Bustion found her voice as a choral singer while pursuing her Master’s degree in Music and Music Education at Columbia University; since then she has lent her voice to groups such as New Amsterdam Singers and Coral Cantigas. A pianist since childhood, Jaquetta is a multi-instrumentalist and performs as a singer with Accord Treble Choir. At Brown University, she earned degrees in Music and Comparative Literature, followed by a Master’s in Music and Music Education at Teachers College, Columbia University. She began teaching in NYC public schools soon after, and has been a music educator for over thirty years teaching students from ages 4 to middle school, in both public and private schools, and community music schools. Jaquetta completed her Kodály levels at New York University and currently serves on the Kodály Organization of New York (KONY) board of directors. Jaquetta has been a presenter at the KONY Equity and Diversity Summit and a keynote speaker and presenter at Bank Street College of Education’s Teaching Kindergarten Conference. She has taught thousands of children the joy of making music, and currently develops curriculum and teaches at Community Roots Charter School in Fort Greene, Brooklyn.

Liz Geisewite is a Brooklyn-based conductor, singer, teacher, and choral music enthusiast. She is the Director of Choral Education for the Brooklyn Youth Chorus and teaches choral conducting at Manhattan School of Music. Previously, Liz taught music and developed curriculum in NYC public high schools for more than a decade. She is the current Treble Choir Repertoire and Resources co-chair for the NY chapter of the American Choral Directors Association and will become President-elect in July 2025. As a student of the Kodály method of music education, Liz has taught Kodály musicianship classes for the National Children’s Chorus (NCC) and studied Kodály methodology at NYU, the British Kodály Academy, and the International Kodály Institute in Kecskemét, Hungary and has delivered presentations on the use of Kodály methodology in the choral classroom at Brooklyn College, Queens College, SUNY Potsdam, and the NYC Department of Education. In 2009, she co-founded Accord Treble Choir, which was selected to perform at the 2012 and 2020 ACDA Eastern Division conferences. Additionally, Liz is the Artistic Director of Brooklyn Treble Choir, a 50+ voice adult community choir.

Julianna Grabowski is a conductor, music educator, soprano and pianist from Syracuse, New York. Her passion for teaching and performing has led her to obtain two Bachelor of Music degrees from the State University of New York at Fredonia in Music Education and Vocal Performance, studying both voice and piano. She earned a Master of Music degree in Vocal Performance from Duquesne University, where she also served as the Graduate Assistant to Duquesne’s Choral Department. As a professional soprano, Julianna was a Young Artist with Finger Lakes Opera, and has performed with professional groups including the Western New York Chamber Orchestra, Lake Junaluska Singers in North Carolina, and The Dukes Music in Pittsburgh. She has also worked as a collaborative pianist at public schools and universities across the states of New York and Pennsylvania. Julianna’s recent work includes the positions of Choral Assistant and Principal Accompanist at Duquesne University, Teaching Artist at New Groove Music Studio, Assistant Conductor and Soprano Section Leader of the Junior Mendelssohn Choir of Pittsburgh, Managing Director of the Pittsburgh Girls Choir, and Conductor of Pittsburgh Girls Choir’s adult ensemble, Women of Song. In addition to her work with the Brooklyn Youth Chorus, Julianna currently serves as the Director of Children’s Music Ministries at Brick Presbyterian Church. Visit juliannagrabowskimusic.com to learn more about Julianna!

Scott Semanski is a conductor and music educator who is passionate about creating meaningful experiences of communal singing for people of all ages. A Connecticut native, Scott received bachelor's degrees in Music Education and Cello Performance from the University of Connecticut and completed his master's in Music Education at the University of Hartford. Scott has previously taught vocal and instrumental music in public and private schools at the elementary, middle, and high school level and is currently the Middle School Choral Director for the Hewitt School. Scott is also an accomplished composer and arranger, specializing in music for youth choirs and video game soundtracks.

Seth Velez is an accomplished bass-baritone, music educator, and conductor. As a singer, Seth has extensive choral performance experience touring in the United States and Internationally. He has competed in international competitions in Wales, France, and Germany, has headlined international choral festivals in Sardinia, Italy, and has sung mass by invitation at St. Peter’s Basilica, Rome, Notre Dame Cathedral, Paris, and St. Patrick’s Cathedral, Dublin. In the US, Seth has been a featured performer at conferences for both the National Collegiate Choir Organization and American Choral Directors Association. Seth’s solo background encompasses both Classical and Musical Theatre styles, and he has been a featured soloist at the 2015 NCCO Conference, tours of the western U.S., and a tour to South Korea. Most recently, Seth competed as a finalist in the 2023 “Voice of Musical Theatre” competition in Llangollen, Wales. Seth’s conducting portfolio includes over 6 years of podium experience with collegiate, community, and professional ensembles. He currently serves as assistant conductor to Dr. Malcolm J. Merriweather with Dessoff Choirs and as faculty assistant conductor to Dr. Heather Buchanan with the Montclair State University Chorale. Previously, Seth has served as assistant conductor to Drs. John Warren, José “Peppie” Calvar, and Wendy Moy at Syracuse University and has conducted and assisted rehearsals for the Sterling Ensemble, Ensoma Creative, and the California Children’s Choir. Seth has over 9 years of experience as a music educator of high school, collegiate, and private students, having held positions with the Los Angeles Children’s Chorus, Syracuse University, and Azusa Pacific University teaching sight-singing, aural skills, music theory, and conducting. Alongside his current teaching position at Brooklyn Youth Chorus, Seth has a flourishing private voice studio in which he serves clients of all ages and ability levels. Seth’s research interests primarily focus on the flexibility and versatility of the human voice, with recent presentations on the differences in vocal production and technique necessary to seamlessly move between solo classical, choral, and musical theatre vocal styles. Seth holds both a Master of Music in Choral Conducting and a Master of Music in Voice Pedagogy from Syracuse University and holds a Bachelor of Music with an emphasis in French Horn from Azusa Pacific University. He is an inducted member of Pi Kappa Lambda and holds active memberships with the American Choral Directors Association, the National Association of Teachers of Singing, and the College Music Society.

Conductor and teacher Kristen Von Bargen has been teaching music and choir to students of all ages for the past 14 years. Originally from New Jersey, she holds a BM from West Chester University Honors College and certifications in Orff and Kodaly methodologies. She has conducted elementary, middle, high school choirs in private and public schools as well as honors level groups in both PA and NY. In addition to conducting and teaching at the Brooklyn Youth Chorus, she has been a conductor and teacher for the Kennett Symphony Children’s Chorus, Turtle Bay Music School,Third Street Music School, and an active member of the American Choral Directors Association.

Katie Willey is an educator, conductor, and musician who has been teaching and encouraging young musicians for over 7 years. She recently completed her Masters of Music Education at Westminster Choir College and previously taught K-4 music and chorus at Success Academy Charter Schools in New York City. She is currently located in New Jersey and works as a K-8 vocal music teacher and a private instructor on piano and voice. She is honored to join Brooklyn Youth Chorus as a conductor in the Training Division.

Kiena Williams is a professional vocalist and conductor born and raised in Brooklyn, NY. She currently serves as a Training Division Conductor & the Outreach and Public School Program Manager here at the Brooklyn Youth Chorus. Kiena is an alumna of Fiorello H. LaGuardia HS of Music & Art and Performing Arts and The Pennsylvania State University where she received her Bachelor of Arts in music. She continues to perform professionally as a featured soloist, chorister & background vocalist. Some recent features include: Il Tabarro (OnSite Opera), "Naturaleza" Choral Festival (Usuhaia, Argentina), "Daphne" (Bard Festival Chorale, Carnegie Hall), Daniel Fish’s “Bold New Work” Most Happy in Concert (Williamstown Theater Festival 2022), Elizabeth Greenfield Award Competition (James Toland Vocal Arts - Finalist), National Music Festival (Vocal Apprentice), In the Green (Mannes Opera), New York District Round (Met Opera Laffont Competition), Great to Be Here (Album-Liam Forde), L'amico Fritz (Teatro Grattacielo), 2021-22 Young Artist (Camerata Bardi Vocal Academy), Cosi Fan Tutte (Opera NexGen), Celebration of Voices (Studio LIS Voice), and weekly services at First U Brooklyn. Keep in touch at kienawilliams.com

Oliver Barrett (trombone)

Sean Cameron (piano) is a pianist, conductor, and music educator out of Brooklyn. He attended the College Conservatory of Music (CCM) at the University of Cincinnati on full scholarship, earning dual degrees in Music Education and Performance. He has been appearing on stage with Michael R. Jackson as arranger and music director for many years, most recently at Lincoln Center’s LCT3. Sean has performed around the world, leading touring companies of A Chorus Line and Elf the Musical across the United States and Japan. He is also a proud friend and supporter of the National Asian Artists Project, and he has led their Broadway Community Chorus alongside Baayork Lee many times since first coming together in 2018. Off the stage, Sean is a dedicated and impassioned teacher, and he has been on the adjunct faculty at Marymount Manhattan College since 2019. He also serves as the music director, pianist, and organist for the Sayville United Church of Christ, the progressive voice of the South Shore.

Rachel DeVore Fogarty (piano) is a collaborative pianist and composer. In addition to her work at Brooklyn Youth Chorus, she also serves as accompanist/assistant artistic director to the Young New Yorkers' Chorus Women's Ensemble. Ms. DeVore Fogarty has accompanied master classes for Shirlee Emmons, Sharon Sweet, Cliff Jackson, Bob Kline, Michael Cassara, Jen Waldman, and Merri Sugarman as well as serving as rehearsal pianist for the national tours of the musicals Elf and Anything Goes. Her choral works have been performed by ensembles in the U.S. and internationally, including VocalEssence, St. Olaf's College, Oklahoma State University, the University of Kentucky, Baylor University, Hollins University, and the ACDA National High School Women's Honor Choir. She received her M.M. in Composition and B.M. in Piano from Belmont University in Nashville, TN.

Jason Handy (piano) is a collaborative pianist and educator based in New York City. Jason’s extensive experience as a collaborative pianist includes two summers as Assistant Pianist at the Breno Italy International Music Academy (BIIMA), where he played for singers and flutists from across the United States and Canada. Jason has performed alongside ensembles including the Momenta Quartet, Hub New Music, Binghamton Symphony Orchestra, and as concerto soloist with the Geneseo Symphony Orchestra. He also serves as pianist for the Brooklyn Youth Chorus. Jason is a past winner of the Geneseo Concerto Competition, Geneseo Honors Competition, NYSSMA All-State Piano Showcase, and the B-Sharp Musical Club’s Vivien Harvey Slater Award, and has been featured on WCNY’s Classic FM radio. As an educator, Jason has previously served on the faculty of the Arizona School for the Arts, and maintains an active private teaching studio. In addition to his teaching and performance career, he is the Director of Music Ministries at St. Augustine’s Episcopal Church in Croton-on-Hudson, NY, where he administers the music program and directs the St. A’s Choir. Jason completed undergraduate studies in solo piano at SUNY Geneseo under Dr. Amy Stanley. He also spent formative time studying in Vienna, Austria, and is a fluent speaker of German. He completed his master’s degree in Collaborative Piano at Binghamton University under Dr. Joel Harder. 

David Lancelle (piano) is a composer/lyricist and alum of NYU’s Graduate Musical Theatre Writing Program. While at NYU, he studied under William Finn, Steven Lutvak, and Mel Marvin. His work has been performed in Chicago, Milwaukee, LA, and New York, and his musical, The Glass Girl—with book and lyrics by Marina Toft—was workshopped at NYU Tisch in 2018 and was a finalist in the New Voices Project with New Musicals Inc. & Disney Imagineering. In 2020 he was commissioned by Broward College to compose the music for a musical about America’s opioid crisis, entitled A Deadly Deception (Book & Lyrics by Mariah Reed). He is also an avid Tolkien fan, and has  musicalized all of the lyrics found in “The Lord of the Rings.” The album can be heard at davidlancelle.bandcamp.com

Elizabeth Leddy is a pianist, collaborative artist and educator based in New York City. Elizabeth performs with a diverse range of singers and instrumentalists, opera companies, chamber music groups, choirs and choral festivals. She works with singers from the Metropolitan Opera, the Brooklyn Youth Chorus, and NYC performing arts schools. She also frequently plays in musicals and with middle and high school choirs and choral festivals. For over a decade, Elizabeth has maintained a private studio of over 30 students, who consistently receive highest honors at state and local competitions and festivals and have been admitted to performing arts high schools. She is currently Executive Director of Little Chopins, an in-home music lessons agency, and teaches for Prime Piano Studio and the Anahid Syourapian Piano School. Elizabeth was formerly Chair of the Piano Department and Associate Master Teacher at The Music Academy of North Carolina, where she joined the piano faculty in 2014. Elizabeth is also a Musikgarten-certified early childhood music instructor and has taught infant and toddler music classes and group keyboard classes in private studios and classrooms. Elizabeth has performed in in the Classical Music Festival in Eisenstadt, Austria, Chamber Musaic benefit concerts in North Carolina, the Liszt Bicentennial Keyboard Concert at Baylor University, the Texas All-State Choir Camp, multiple North Carolina All-County Choral Festivals, Danville Symphony and Fayetteville Symphony, as well as at North Carolina School of the Arts, Wake Forest University, University of North Carolina-Greensboro, and Baylor University. Born in Texas, Elizabeth received her Bachelor of Music in Piano Performance at Baylor University and Master of Music in Piano Performance from University of North Carolina-Greensboro. She lives in Manhattan with her adorable cat, Jack.

Aleeza Meir (piano) From the greenhouse of a homeschooled childhood through intensive personal mentoring from acclaimed artists including Malcolm Bilson and Steven Stucky, Aleeza Meir is accomplished on piano, organ and harpsichord. She began her career as a staff pianist at the Ithaca College School of Music at the age of 16. Besides all the major concert halls of NYC, she has performed nationally and internationally in a wide variety of venues and capacities ranging from continuo player to concerto soloist. She placed second in the International Piano Festival competition in Bechyně (CZ) and the Otto B. Schoepfle national organ competition (USA). She served as pianist for the Boys Choir of Harlem, and has been John Rutter’s go-to keyboardist in NYC since arriving in 2002, performing in more than 50 concerts at Carnegie Hall. She is faculty pianist for Middlebury Language Schools’ professional ‘German for Singers’ program and music director for historic Old First Reformed Church in Park Slope. As pianist for BYC’s Concert and Junior Ensembles she regularly performs premieres of works of today’s leading composers, and appears in festivals including MusicNOW, Ecstatic Music Festival, Bang on a Can, and numerous broadcasts on WQXR. Aleeza is also the founder and director of Baroquelyn, a Brooklyn-based baroque chamber orchestra that marries historic performance practice with a fresh, modern, and local take on well-loved old music. Please visit www.baroquelyn.com.

Percussionist Riley Palmer can be heard throughout the New York musical scene from contemporary music halls, to Broadway pits, to jazz clubs, and back again. He frequently performs at The DiMenna Center, Brooklyn Academy of Music, 54 Below, Lincoln Center, and the Green Room 42. As part of the contemporary music scene, Riley has performed with the Orchestra of the League of Composers, Talujon Percussion, and has worked with many of today’s leading composers including Michael Gordon, Nicole Lizeé, Steve Reich, and Julia Wolfe. As an active collaborator with theatre and dance, Riley has served as an accompanist with Paul Taylor, Martha Graham, and Alvin Ailey dance programs.

Rosters

Preparatory I

Edith Alber
Annika Alphonse-Kouadio
Molly Anzalone
Emannuelle (Imani) Berman Cohen
Naveen Boggess
Sonia Lui Borowicz
Simone Brewer
Jacob Bristol
Abigail Busi
Ada C de Baca
Calista C de Baca
Rocco Cannavale
Philippa (Pippa) Carleton
Maggie Caton
Cibelle Agathe Cervantes-Salumae
Ishayu Chang
Jamie Cheng
Casey Cohen
Pepper Connors
Abigail (Abby) Cox
Avo Bele (Bélé) Cullen
Bliss Culler
Octavia de Zayas
Edgar Donohue
Perla Dunn
Alina Earle van Bree
Eri Eduafo
Yeva Eng-Azar
Elliot Fiore
Aviva Freelander
Ana Friedrich
Alma Gaya Martin
Brynn Goldstein
Alice Gross
Marlo Grossman-Less
Loriana Gustave
Thereslaure Gustave
Lucille (Lucy) Hafetz
Ruby Hall
Griffin Harty
Delphi Hatsatouris
Aurora Herd
Madison Hernandez
Louis Houghton-Taylor
Sadie Isenberg
Milan Jones
Isla Kelly
Amelia Kemmerer
Tilly (Natalie) Kershner
Hannah Knepley
Madeleine (Maddie) Koch
Solomon La Ferla
Elliot Leno-Brown
Micah Lupin
Meara Macker
Priya Grace Marti
Lilah Mattioli
Thomas McGowan
Norah McGregor
Fox McMahon
Maya Ming
Reina Moro
Evelina Myshletsova
Grady Nguyen-Eisenberg
JC OGALESCO
Jia Ogalesco
June Oshinsky
Rubykate Paguia
Savannah-Lee Parke
Grace-Dominique Pawa
Conwy Phillips
Elise Pilgrim
Prima Pomerance
Evelyn Pope
Sepiso Prins
Beatrice Quinn
Tahlia Quinones
Skylar Rodriguez
Lulu Rolf
Esme Sandeman
Apollo Scotchford
Elizabeth Sheppard
Sophia Shorman
Alice Shoshina
Zelda Solomon
Henry Sperduto
Sophia Storms
Andrew Stowe
Rena Subramanian
Alina Taj
Arlo Taylor
Kiara Torres
joi trabin
Evander Vaubel
Joele Weinberger
Sebastian Weinstock
Oliver Whitfield
Lucinda Whitmore
Zadie Williams
Chahana Willock
June Wolfson
Koa Yu-Strong
Lionel Zapata

Preparatory II

Rex Anderson
Talitha Beck
Audrey Boileau
Isaac Brooks
Elektra Chamberlin
Ara Cherry
Rhys Chin
Evelina Choinska
Clara Cole
Judah Cotton
Asa Ellman
Leyla Farah
Maya Fertig
Ramona Geller
James Gill
Frankie Harrell
Frances "Frankie" Hilton
Micah Hirsh
Amelia Holder
Beatrice Holder
Zoe Kadakia
Nia Kim-Refosco
Amelia Kirat
Aquinnah Kuehn
Anaís Leonardo
Rumi Lightbody
Lucy Lipkin
Karolína Liset
Evelyn Lundholm
Ayana Mateene
Bella McDonough
Kate McGrath
Liela Michel
Sabine Micoli Shookhoff
Marisol Mitchell
Kai Ng
Elisa Noero
Lucia Ophardt
Penny Picasso
Bernadetta Pomykala-Hein
Isabella "Isa" Renard-Suarez
Henry Ruffin
Phoebe Ryan
Manuel Sarkissian
Isaac Haejeong Seferidis
Eli Shuster
Frances (Frankie) Simmons
Eve Spektor
Lucia Stockman
Esme Takayanagi
Lev Toure
Dean Twitchell
Sybil Uy
Belen Wanjiku
Maisie Weiss
William Young

Pre-Teen I

Jude Anderson
Alijah Assanah
Charlotte (Charlie) Bach
Layla Bannister
Reese Bassett
Susana Bauer
Samantha Bianca Beard
Livia Biderman
Nia Boyce
Liora Bracha
Ruby Brostowicz
Aurora Buckingham
Beatrice Builder
Angela Calixto
Daniel Cardona
Francesca Caserta
Rielle Cavanagh
Ella Chinski
Clio Ciancimino
Lëylani Cissé
Kennedy Clarke
Violet Cohen
Nina Cooke
Elias Cuarón Harper
Sebastian D'Agostino
Kennedy Dhaliwal
Violet Donohue
Sonya Doshi
Maya Drakes
Rhiannon Drakes
Sophie Dziena
Poppy Ellar
Elise Fahie
Lily Fischer
Shenandoah Fischer
Morgen Flowers-Ryan
Zoe Folkert
Rosaleen Fraidstern
Catalina Goldberg
India Goldstine
Victoria Gomez
Stella Green
Victoria Gross
Xavier Grunow-Levine
Zayn Hajee
Luisa Harris
Mira Herbowy
Ruby Heymann
Talia (Lea) Hirschberger
Ava Johnson
Sameer Kalhans
Julia Kattamis
Kiki Kim
Lulu Kim-Refosco
Ethan Knight
Stella Ladov
Amir Lawrence
Alma Leno-Brown
Sidney Liskow-Robison
Kendle Lynch
Josephine Martin
Alec McCabe
Sabine McClure
Nadine McGinnis
Moulisha McRae
Zoya Memon
Nandi Miller
Sadie Miller
Rosie Morris
Rose Ouahab
Eva Pacheco
Eugenie Papocchia
Ona Peires
Georgia Perez
Emma Perloff
Zen Poole
Tuesday Presti
Lucy Luna Ratliff
Juniper Rauch
Annabel Rayner
Evelyn Reid
Amora Ruelle
William Schmidt
Jace Stephens
Moxie Taylor
Mila Timothee
Lila (LT) Timothy
Juno Townsend
Elsa Ulmann
Edith Wagoner
Uma Wilder
Channin Willock
Reya Wood
Carolina Yampolsky
Claire Zeng

Pre-Teen II

Tahra Araujo
Marion Arrington Shannon
Layla May Berrada-Riggs
Ella Bove-Birchfield
Gena Brown
Fiona Burhans
Lola DeCarli Palazzolo
Clio Del Principe
Ophelia Demetz
Samantha Dillon
Isabella (Izzy) Dimenstein
Sureena Doshi
Kanako Fahie
Mia Flechoux
Saiye Francois
Arie Geftman-Gold
Lucia Henderson
Emma Hiatt
Amina Joseph
Mia Khouzami
Louis King
Ethan Kravet
Charlie Larson
Michelle Lee
Zoé Lenclos
Chloe Malafis
Rocco Mayone
Emma McDonough
Leila McGregor
Felix McGuigan
Aaliyah McMickle
Eva Michaelson
Adele Nigrini
Djuna Partegàs Pascher
Sophia Pena
V Posner
Naomi Price
Aria Rubenstein
Senn Sarkissian
Clare Sidesinger
Paulina Simmons
Sebastian Spalding
Cleo Testa
Clementine Toole
Lake Trovato
Tori Volik
Zoe Werner
Anna Wheeler
Svaha Williams
Sloane Willscher
Olympia Zizic-Turner

Teen

Sofía Aguilar López
Anisa Ahmad-Cordone
Constantine Bertol
Lorenzo Bertol
Hattie "Nico" Bright
Ixchel Cervantes
Lily Chesler
Andrea Marie Davis
Charles de Boisblanc
Alison del Cid
Iris Firestone-Morrill
Amiya Ghuliani
Belle Halladay Hughes
Nirmala Ladang
Elsa Lyon
Matilda (Tilly) Magaldi
Zoe Matteo
Rosemary (Romy) Matz
Mikhaëlle (Mikha) Midy
Ruth Mindlin
Charlotte "Charlie" Moennig-Ogle
Sofia Pietracatella
Adanne Prince
Emily Rider
Ines Rollin-Dijkhuis
Ella Russell
Valentine Sans
Keerthana Sawhney-Shah
Therline Scoppa
Saskia Sjoberg
Sadie Soto
Derick Torres
Lily Tubbs
Aaliyah Vines
Madeline Walsh
Xavier Walters
Chaya (Chai) Weinshenker

Junior Ensemble

Gretta Adams
Ridley Apthorpe
Daniela Avrekh
Nola Baruchowitz
Esme Chou
Aurora May Dumlao
Leilani Dumlao
Neve Ellis
Perrin Fornatale
Kalina Francois
Peyton Francois
Maxine Goods
Luca Greer
Sheen Heady
Dorothy Keener Schrager
Carmen Lowe
Jane Lundquist
Sammy Meskill
Percival Moran
Dzintra Morgan
Ariana Negron
Raphaela Newman
Abigail Pena
Neytiri Powell-Ricketts
Chloe Puliga
Minyul Ryu
Sylvia Sanders
Maia Schechter
Alba Scheers-Masters
Una Schmidt-Aguirre
Exa Sherman
Liliana Slotnick
Ivy Snow
Bee Sollors
Fabiola Vulcano

Bass Ensemble

Martino D'Agostino
Chenaniah Enderes
Emmanuel Gray
Carter Hollmon
Kadin Hussein
Phineas Kelly
Conor Landauer
Ruslan Lymarenko
Naveen Menezes
Paul-Eric Pawa
Raymond Penalo
Kevin Russell
Finn Sethi
Isaac Stobbe
Owen Swift

Concert Ensemble

Aine Alexander-Mullen
Emily Avram
Boji Azmanova
Lydia Bach
Safira Berrada-Riggs
Sofia Rossa Bologna Gitti
Simone Braunstein-Coulston
Milena Broesche-Jones
Leah Brown
Lily Brown
Mae Burke
Margaret Callahan
Evelyn Cribbs
Greta Currah
Zadia Danon
Zelda de Zayas
Josie Devlin
Maggie Dicus
Kai Don
Laia Dorais
Pia Dorosin
Zoe Drubetskoy
Matilda Endres
Arianne Fahie
Laila Gilabert
Charlotte Golden
Tessa Goldwasser
Talia Greenland
Kendall Hollmon
Victoria Johnson
Stella Kear
Vivian Kravet
Gertrude Lipkin
Amaranthe Lirenman
Melina Mays
Lucy Mellon
Lucy Nadoban
Maahika Nair
Sylvie Oates
Violet Ariadne Paris-Hillmer
Hanah Park
Jadesola Pedro
Stella Santos Hendricks
Savannah Savas
Niko Sembo
Livia Simmons-St.Lewis
Nefertiti Stanton
Vaikuntha Tamayo
Eve van den Brulle
Arlo Zidell

Annual Support

Brooklyn Youth Chorus is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Special funding is provided by Councilmembers Shahana Hanif and Lincoln Restler. Our programs are also made possible by the New York State Council on the Arts with the support of the Office of Governor Kathy Hochul and the New York State Legislature. The Concert Ensemble of the Brooklyn Youth Chorus is supported in part by the National Endowment for the Arts. 

We offer a very special thanks to our community of supporters. Your generosity has given thousands of young people access to skills-based voice training, inspiring performance opportunities, and a dedicated, tight-knit community of artists, mentors, and friends. Your support has contributed to our ongoing legacy of excellence: artistically, educationally, socially, and emotionally. We salute your kindness, dedication, and steadfast belief in our mission and thank you for your support. Listed Annual Fund contributions are from December 1, 2023 - December 1, 2024.

Scholarships and special projects at Brooklyn Youth Chorus are underwritten in part by: The Diamonstein-Spielvogel Youth and Contemporary Music Initiative, The Charles J. and Irene F. Hamm Scholarship Endowment, The Barclay Collins New Creations Fund, and The Mary Anne and Dick Yancey Fund.

KEY

* Board of Trustees
^ Alumni
+ Artistic Advisory Board
⧫ Emeritus Board of Trustees

Board of Trustees

Jessica Holloway, Chair
Kara Hailey, Vice Chair
Jordane Rollin, Treasurer
Kathleen Emberger, Secretary

Jacqueline Aguanno 
Lauren Ashcraft
Kristi Avram
Katherine Bartholomaus
Sabina Chatterjee
Naomi Gardner
Tracy Garrison-Feinberg
Nick Grabar
Young Hah
Nancy James
Anna McNeil
Sam Nana-Sinkam
Karen Rockey
Jonathan Rouner
Johari Jenkins Taylor
Amanda Van Doorene
Blake Zidell

Trustees Emeriti

Judy Berkun (in memoriam)
J. Barclay Collins II
Charlie J. Hamm
Narcissa Titman
Dick Yancey (in memoriam)       

Trustee Ex Officio

Dianne Berkun Menaker, Founder & Artistic Director

Artistic Advisory Board

John Adams
Deidre Chadwick
Rufus Collins
Anthony Roth Costanzo
Julian Crouch
Bryce Dessner
Jeremy Geffen
Andrew Hamingson
Hilda Harris
Jim Keller
Beth Morrison
Paola Prestini
R. Douglas Sheldon
Ted Sperling
Theodore Wiprud
Michelle Yagoda, M.D.

Staff

Dianne Berkun Menaker
Founder & Artistic Director

Megan Lemley
Executive Director

Angela Batchelor
Training Divisions Program Manager

Marjory Bruno
Registrar & Finance Associate

Christa Chiovarelli
Chorus Manager, Bass Ensemble & Junior Ensemble

Elspeth Collard
Chorus Manager, Concert Ensemble

Liz Geisewite
Director of Choral Education

Meghana Goli
Development Assistant

Julie Griffith
Director of Development 

Kyle Henning
Director of Program Operations

Ruben Llopiz
Finance & Business Manager

Jared Mathis
Development & Special Events Manager

Ryan Pointer
Director of Marketing & Communications

Duncan Sutherland
Director of Production & Audio

Travis Horton
Bookkeeping Consultant

Bryony Romer
Institutional Fundraising Consultant

Dianne Berkun Menaker, Jaquetta Bustion, Liz Geisewite, Julianna Grabowski, Kayla Schwartz, Scott Semanski, Seth Velez, Kristen Von Bargen, Katie Willey, and Kiena Williams
Conductors

Rachel DeVore Fogarty, David Lancelle, Elizabeth Leddy, and Aleeza Meir
Pianists

Sebastian Armendariz, Will Evans, Julianna Grabowski, Christine Reimer
Electives Faculty

Ona Linna-Hipp, Mara Montez, Nicki Sekhar, and Sarah Sotomayor 
Program Assistants

Dismissal Procedures

After the performance, please remain seated until choristers have cleared the auditorium. To avoid overcrowding, please send only one parent/guardian to pick-up area when your group is called.

Order of Dismissal for Concert 1: Friday 7:30pm

Junior Ensemble & Teens - Choristers will self-dismiss. We encourage families to meet self-dismissing choristers in the lobby outside the theater entrance.

Pre-Teen I - A single parent/guardian per chorister is asked to line up at the security barriers in the lobby at the location indicated by a member of BYC staff with a “Pre-Teen I” sign. From there a member of staff will guide you to the door to pick up choristers for a quick and safe departure. As you exit the theater turn left and proceed past the security booth, past the escalators, and down the hall. Staff members will be in the lobby to help direct you to where to line up.

Preparatory II - After Pre-Teen I have been collected, A single Parent/guardian is asked to line up at the security barriers in the lobby at the location indicated by a member of BYC staff with a “Prep II” sign. From there a member of staff will guide you to the door to pick up choristers for a quick and safe departure. As you exit the theater turn left and proceed past the security booth, past the escalators, and down the hall. Staff members will be in the lobby to help direct you to where to line up

Order of Dismissal for Concert 2: Saturday 2:00pm

Concert & Bass Ensemble - Choristers will self-dismiss. We encourage families to meet self-dismissing choristers in the lobby outside the theater entrance.

Pre-Teen II - A single parent/guardian per family is asked to line up at at the security barriers in the lobby at the location indicated by a member of BYC staff with a “Pre-Teen II” sign. From there a member of staff will guide you to the door to pick up choristers for a quick and safe departure. As you exit the theater turn left and proceed past the security booth, past the escalators, and down the hall. Staff members will be in the lobby to help direct you to where to line up.

Preparatory I - After Pre-Teen II have been collected, A single Parent/guardian is asked to line up at the security barriers in the lobby at the location indicated by a member of BYC staff with a “Prep II” sign. From there a member of staff will guide you to the door to pick up choristers for a quick and safe departure. As you exit the theater turn left and proceed past the security booth, past the escalators, and down the hall. Staff members will be in the lobby to help direct you to where to line up.

Order of Dismissal for Concert 3: Saturday 7:30pm

All choristers will self-dismiss. We encourage families to meet self-dismissing choristers in the lobby outside the theater entrance.